hamburger-nav-icon
region-flag-icon
Search by Category
Audio
Cameras
Cases & Bags
Computers & Software
Conferencing
Content Management
Control
Displays
Furniture
Lighting & Studio
Mounts & Rigging
Networking & Cabling
Power
Presentation
Production & Lighting
Security & Safety
Signal Management
Search by Category
EnglishFrenchGermanItalianPortugueseSpanish

288-port Live Audio Mixing Console

Model: M-5000C

  • Internal mix architecture is not fixed and can be freely defined within a range of up to 128 input/output channels/busses
  • Allows you to essentially "build" a console structure based on the immediate needs of the application
  • Up to 300 inputs and 296 outputs (and more at 48kHz) are managed in separate patchbays
  • OHRCA makes it possible to control an enormous number of input and output channels across multiple protocols and formats
  • Starts with a high sampling rate of 96kHz
Compare
Project List
Product Info
Tech Specs
The Roland M-5000 console's internal mix architecture is not fixed and can be freely defined within a range of up to 128 input/output channels/busses. This allows you to essentially "build" a console structure based on the immediate needs of the application. This makes for a console that accommodates high levels of flexibility for precise response to dynamically changing applications and venues.
Up to 300 inputs and 296 outputs (and more at 48kHz) are managed in separate patchbays. Any input can be patched to any or multiple outputs, including control of gain and phantom power, without having to be patched through a mixing channel. OHRCA makes it possible to control an enormous number of input and output channels across multiple protocols and formats.
It starts with a high sampling rate of 96kHz. The discrete circuitry was precisely designed with careful component selection and circuit architecture, separation of analog and digital sound modules, 72-bit linear summing circuit, and more.
  • Internal mix architecture is not fixed and can be freely defined within a range of up to 128 input/output channels/busses
  • Allows you to essentially "build" a console structure based on the immediate needs of the application
  • Up to 300 inputs and 296 outputs (and more at 48kHz) are managed in separate patchbays
  • OHRCA makes it possible to control an enormous number of input and output channels across multiple protocols and formats
  • Starts with a high sampling rate of 96kHz
  • Discrete circuitry was precisely designed with careful component selection and circuit architecture, separation of analog and digital sound modules, 72-bit linear summing circuit
 
 

Suggested Products

by Crestron Electronics, Inc.
by Yamaha Commercial Audio Systems, Inc.